Kiki Smith
The first major solo exhibition in Ireland of the work of Kiki Smith, one of America's leading contemporary artists, opens to the public at the Irish Museum of Modern Art on Friday 24 October. Kiki Smith: Convergence ranges over ten years of Smith's work from 1988 and reflects her main concerns in terms of subject matter and use of colour and materials. It features a number of her characteristic sculptures based on the human body, a number of more recent drawings from 1996 and 1997, and mixed-media works using materials such as glass, crystal and neon, which mark a shift in focus from the human to animal forms and the natural world.
Kiki Smith is best known for her works based on the female body which she presents in stark, often provocative terms its flesh, blood, secretion and excretions suggesting fundamental questions of life and death. As an artist Smith gives birth to adult forms still grimy with the process of delivery. Indeed, a paradox of her works is that one cannot tell if they are coming into existence or passing out of it through decay and disintegration. Both formally and psychologically, these sculptures break with traditional notions of the depiction of the human figure in art.
Using the physical body as her starting point, Smith explores the wider female condition in works suggesting pain, humiliation and subservience. There are also allusions to religious rituals and beliefs, which reflect her Catholic upbringing. The artist has selected works for this exhibition by using the device of colour for individual rooms at the museum - red, yellow, blue, green, brown and silver - colours which have been a strong force in her work.
Bloodline 1994
100 units of blown glass.20,3cm diameter
Courtesy of Pace.Wildenstein, New York
